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We're the Millers Movie More Info
Movie Title : Wedding Crashers
Genre : Comedy, Romance
Runtime: 119 Minutes
Release Date: Friday, 2005-07-15
Rating : R
Cast : Owen Wilson, Vince Vaughn, Christopher Walken,Christopher Walken
Plot Summary :David Burke (Jason Sudeikis) is a small-time pot dealer whose clientele includes chefs and soccer moms, but no kids-after all, he has his scruples. So what could go wrong? Plenty. Preferring to keep a low profile for obvious reasons, he learns the hard way that no good deed goes unpunished when he tries to help out some local teens and winds up getting jumped by a trio of gutter punks. Stealing his stash and his cash, they leave him in major debt to his supplier, Brad (Ed Helms). In order to wipe the slate clean-and maintain a clean bill of health-David must now become a big-time drug smuggler by bringing Brad's latest shipment in from Mexico. Twisting the arms of his neighbors, cynical stripper Rose (Jennifer Aniston) and wannabe customer Kenny (Will Poulter), and the tatted-and-pierced streetwise teen Casey (Emma Roberts), he devises a foolproof plan. One fake wife, two pretend kids and a huge, shiny RV later, the "Millers" are headed south of the border for a Fourth of July weekend that is sure to end with a bang.
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We're the Millers Movie Press Review
Chicago Sun-Times Richard Roeper
We're the Millers is just good enough to keep you entertained, but not good enough to keep your mind from wandering from time to time. This is an aggressively funny comedy that takes a lot of chances, and connects just often enough.
RogerEbert.com Susan Wloszczyna
Needless to say, the shapely Aniston pulls it off without a hitch - even if she never actually appears without a stitch. If this gutsy performance leads to better opportunities-a remake of Demi Moore's ill-conceived "Striptease," perhaps - I might sleep better at night.
Philadelphia Inquirer Steven Rea
An innocuously smutty road comedy.
San Francisco Chronicle Mick LaSalle
Get past the comedy and there's something almost weird at the movie's core - a deep cynicism about family and a longing for family, both at the same time.
Film.com Laremy Legel
It's half of a good movie, and another half that no one asked for or wanted.
St. Louis Post-Dispatch Joe Williams
We're the Millers is nothing but stems and seeds, with less buzz than a bag of oregano.
Slant Magazine Chris Cabin
Though the cast partially eschews the family-friendly timidity that the film defers to in the end, this would-be wild thing remains little more than a rowdy endorsement of the status quo.
Boston Globe Ty Burr
It's an August dog-day special, in other words: a few easy laughs, one or two flashes of inspiration, and enough sentimentality to ensure that no one actually gets hurt.
New York Daily News Joe Neumaier
The “Millers” script - it took four writers to cobble together something that seems so slight - hits too many obvious notes between the moments when Aniston can strut her stuff.
The Hollywood Reporter Todd McCarthy
Director Rawson Marshall Thurber adequately manages the mechanics demanded here but adds no finesse or grace notes.
Movie Nation Roger Moore
It aims for that “Hangover” blend of the sick and the sentimental. And it doesn't work.
Chicago Tribune Michael Phillips
When Jason Sudeikis and Ed Helms appear in the same movie there's a significant threat of clean-cut sameness. Mediocre material makes them like two halves of the same comic actor: Ed Jason Helms-Sudeikis.
USA Today Claudia Puig
We're the Millers is a twisted road trip worth avoiding. Not only is it not funny, it's offensive.
New York Observer
If there is a breakout role in Millers, it is that of Will Poulter, the 20-year-old English actor who played Lee Carter in 2007's "Son of Rambow." As Kenny Rossmore, the hapless neighbor who ends up playing the teenage son of Ms. Aniston and Mr. Sudeikis during their version of National Lampoon's Mexican Vacation, Mr. Poulter strikes a perfect comedic balance between sweet savant and pop-culture lech.
New York Post Kyle Smith
The movie, directed by the formerly promising Rawson Marshall Thurber (the hilarious “Dodgeball” and the awful “The Mysteries of Pittsburgh”), thinks it's subverting the conventions of the sitcom with a revolutionary new idea, which is: Do everything exactly the way a sitcom would, plus lots of swearing and dirty jokes.
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